garadinervi:

image

Giuseppe Penone, Pelle di foglie – Alloro, (watercolor and Chinese ink on Japanese paper), 1998 [Centre Pompidou, Paris. © Giuseppe Penone / Adagp, Paris. Photo: © Cecilia Laulanne/Centre Pompidou]

arte-artem-artibus:

image

Matthew Wong - Shangri-La, 2017, oil on canvas, 243.8 x 182.9 cm

(via lawrenceleemagnuson)

thebeardspot:

- The Beard Spot 0020 -


ganymedesrocks:
“ milkywayrollercoaster:
“ Rapael Loggia
Hermitage
Saint Petersburg ~ Russia
photos cjmn
”
Better Known as the ‘Raphael’ loggia, celebrating the Art of Raffaello Sanzio da Urbino (1483 - 1520), recognised as the supreme High... ganymedesrocks:
“ milkywayrollercoaster:
“ Rapael Loggia
Hermitage
Saint Petersburg ~ Russia
photos cjmn
”
Better Known as the ‘Raphael’ loggia, celebrating the Art of Raffaello Sanzio da Urbino (1483 - 1520), recognised as the supreme High... ganymedesrocks:
“ milkywayrollercoaster:
“ Rapael Loggia
Hermitage
Saint Petersburg ~ Russia
photos cjmn
”
Better Known as the ‘Raphael’ loggia, celebrating the Art of Raffaello Sanzio da Urbino (1483 - 1520), recognised as the supreme High... ganymedesrocks:
“ milkywayrollercoaster:
“ Rapael Loggia
Hermitage
Saint Petersburg ~ Russia
photos cjmn
”
Better Known as the ‘Raphael’ loggia, celebrating the Art of Raffaello Sanzio da Urbino (1483 - 1520), recognised as the supreme High... ganymedesrocks:
“ milkywayrollercoaster:
“ Rapael Loggia
Hermitage
Saint Petersburg ~ Russia
photos cjmn
”
Better Known as the ‘Raphael’ loggia, celebrating the Art of Raffaello Sanzio da Urbino (1483 - 1520), recognised as the supreme High... ganymedesrocks:
“ milkywayrollercoaster:
“ Rapael Loggia
Hermitage
Saint Petersburg ~ Russia
photos cjmn
”
Better Known as the ‘Raphael’ loggia, celebrating the Art of Raffaello Sanzio da Urbino (1483 - 1520), recognised as the supreme High... ganymedesrocks:
“ milkywayrollercoaster:
“ Rapael Loggia
Hermitage
Saint Petersburg ~ Russia
photos cjmn
”
Better Known as the ‘Raphael’ loggia, celebrating the Art of Raffaello Sanzio da Urbino (1483 - 1520), recognised as the supreme High... ganymedesrocks:
“ milkywayrollercoaster:
“ Rapael Loggia
Hermitage
Saint Petersburg ~ Russia
photos cjmn
”
Better Known as the ‘Raphael’ loggia, celebrating the Art of Raffaello Sanzio da Urbino (1483 - 1520), recognised as the supreme High... ganymedesrocks:
“ milkywayrollercoaster:
“ Rapael Loggia
Hermitage
Saint Petersburg ~ Russia
photos cjmn
”
Better Known as the ‘Raphael’ loggia, celebrating the Art of Raffaello Sanzio da Urbino (1483 - 1520), recognised as the supreme High... ganymedesrocks:
“ milkywayrollercoaster:
“ Rapael Loggia
Hermitage
Saint Petersburg ~ Russia
photos cjmn
”
Better Known as the ‘Raphael’ loggia, celebrating the Art of Raffaello Sanzio da Urbino (1483 - 1520), recognised as the supreme High...

ganymedesrocks:

milkywayrollercoaster:

Rapael Loggia

Hermitage

Saint Petersburg ~ Russia

photos cjmn

Better Known as the ‘Raphael’ loggia, celebrating the Art of Raffaello Sanzio da Urbino (1483 - 1520), recognised as the supreme High Renaissance painter, but also architect, who more versatile than Michelangelo and more prolific than their older contemporary Leonardo, remains a paragon of classicism, who dominated the academic tradition of European painting until the mid-19th century.  Born in Urbino, where his father, Giovanni Santi, was court painter, he almost certainly began his training there, studying works by Mantegna, Uccello, and Piero della Francesca from an early age.  His earliest paintings were also greatly influenced by Perugino.  From 1500 - when he became an independent master - to 1508 he worked throughout central Italy, particularly Florence, where he became a noted portraitist and painter of Madonnas.

Commissioned by Empress Catherine II in the late 1780s, the Raphael Loggias are the exact copy of the Gallery in the Papal Palace in Vatican City.

(via alberto-cabornero)

nobrashfestivity:
“Edvard Munch, “Towards the forest” variations. color woodcuts, from two woodblocks, one sawn into three pieces, on imitation vellum paper.
” nobrashfestivity:
“Edvard Munch, “Towards the forest” variations. color woodcuts, from two woodblocks, one sawn into three pieces, on imitation vellum paper.
” nobrashfestivity:
“Edvard Munch, “Towards the forest” variations. color woodcuts, from two woodblocks, one sawn into three pieces, on imitation vellum paper.
” nobrashfestivity:
“Edvard Munch, “Towards the forest” variations. color woodcuts, from two woodblocks, one sawn into three pieces, on imitation vellum paper.
” nobrashfestivity:
“Edvard Munch, “Towards the forest” variations. color woodcuts, from two woodblocks, one sawn into three pieces, on imitation vellum paper.
” nobrashfestivity:
“Edvard Munch, “Towards the forest” variations. color woodcuts, from two woodblocks, one sawn into three pieces, on imitation vellum paper.
” nobrashfestivity:
“Edvard Munch, “Towards the forest” variations. color woodcuts, from two woodblocks, one sawn into three pieces, on imitation vellum paper.
”

nobrashfestivity:

Edvard Munch, “Towards the forest” variations. color woodcuts, from two woodblocks, one sawn into three pieces, on imitation vellum paper.

(via nyctaeus)

desimonewayland:
“ Kimono with rhombus pattern, Tokyo Yuzen
Takahashi Kan 2015
In order to create a mottled effect, Tokyo Yuzen uses liquid paste (paste-resist and coloring).
Kyoto Women’s University, Lifestyle Design Laboratory - Kyoto, Japan
” desimonewayland:
“ Kimono with rhombus pattern, Tokyo Yuzen
Takahashi Kan 2015
In order to create a mottled effect, Tokyo Yuzen uses liquid paste (paste-resist and coloring).
Kyoto Women’s University, Lifestyle Design Laboratory - Kyoto, Japan
”

desimonewayland:

Kimono with rhombus pattern, Tokyo Yuzen

Takahashi Kan 2015

In order to create a mottled effect, Tokyo Yuzen uses liquid paste (paste-resist and coloring).

Kyoto Women’s University, Lifestyle Design Laboratory - Kyoto, Japan

nevver:
“Some girls, Lenz Geerk
” nevver:
“Some girls, Lenz Geerk
” nevver:
“Some girls, Lenz Geerk
”
artist-matisse:
“Woman with a Madras Hat, 1930, Henri Matisse
Medium: oil,canvas”

artist-matisse:

Woman with a Madras Hat, 1930, Henri Matisse


Medium: oil,canvas
thekimonogallery:
“Long-Sleeved Kimono
late 18th–early 19th century
Plain silk: resist dyed, painted, and embroidered
Length: 67 11/16 in. (171.9 cm)
Hobart and Edward Small Moore Memorial Collection, Gift of Mrs. William H. Moore
Yale University Art... thekimonogallery:
“Long-Sleeved Kimono
late 18th–early 19th century
Plain silk: resist dyed, painted, and embroidered
Length: 67 11/16 in. (171.9 cm)
Hobart and Edward Small Moore Memorial Collection, Gift of Mrs. William H. Moore
Yale University Art... thekimonogallery:
“Long-Sleeved Kimono
late 18th–early 19th century
Plain silk: resist dyed, painted, and embroidered
Length: 67 11/16 in. (171.9 cm)
Hobart and Edward Small Moore Memorial Collection, Gift of Mrs. William H. Moore
Yale University Art...

thekimonogallery:

Long-Sleeved Kimono

late 18th–early 19th century

Plain silk: resist dyed, painted, and embroidered

Length: 67 11/16 in. (171.9 cm)

Hobart and Edward Small Moore Memorial Collection, Gift of Mrs. William H. Moore

Yale University Art Gallery

(via thekimonogallery)